Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Wednesday, February 25, 2015

Using Greek Togas to Prepare for the Theatre SLO


This year I have had to start giving the dreaded SLO's (nicknamed slows in our school). For those who haven't experienced an SLO yet let me give you a rundown. A SLO stands for Student Learning Objective. They are basically tests for the classes that aren't typically given state tests. Students are given a pre-test at the beginning of the year and then are expected to grow X % amount by the end. In my county these tests are all multiple choice. That means that students have to show growth not by their acting but by text analysis and their ability to answer questions on acting. I have mixed feelings on the SLOs which I will get into at a later date but for now I want to focus on how you engage and excite your students while covering the seemingly boring topics. I have a very very limited amount of time to get my students to show 35% growth (only 40 minutes a week = 27 hours total a year) that is a lot of growth per hour. So I try to pack a ton of punch into each lesson. For the next few weeks I am focusing on the following topics: theatre history, rehearsal process, script analysis, and character analysis. My plan is to start off with Greek theatre and then hit the highlights of other major history eras. Each week students will get a crash course in a new part of theatre history. They will learn a little about the time period then perform a scene or adaptation from the time. Hopefully threw performing in several types of plays, the students will learn a lot about the rehearsal process, script analysis and character analysis, and a little about theatre history. It is not a perfect plan but I have to work with what time I've got.

Greek History

For Greek history I had a few facts that I wanted students to know by the end of the lesson
- Greeks were the first people in western civilization to perform traditional plays
-Greeks invented the chorus. I also wanted them to be able to explain what a chorus was and how it was used by the Greeks.
-the first actor came from Greek plays- Thespis. They also made the connection of why our drama club is called the Young Thespians
-Greeks performed the plays for religious ceremonies. We also very very briefly touched on Greek Gods and Goddess, luckily they had already covered that in their ELA class.

King Midas and the Golden Touch

I lucked out something major this year with my 5th grade ELA teacher. She and I just happened to pick the same story to study in both of our classes. This doesn't happen very often but when it does it sure makes life easier. I am trying to be much more organized and actually plan out these happy coincidences but it is a slow process. She had previously taught King Midas and the Golden Touch, I just so happened to have a wonderful Readers Theatre adaptation of the same story, so my script analysis portion took very little time for this play.
Since the students had already read the story and new the basic plot we could move right into our rehearsal block. I cast the play being very mindful to cast people who weren't often my leads as main characters. This was a great way to force my tech students out of their shell. We rehearsed the play being very mindful of blocking and characterization for this play. After we had rehearsed the play twice (this play really only lasts about 4 minutes so it was great for my time frame), we took a break to discuss the characters. We also talked about the differences between the short story they read in class and our play. 

Then it was time to have fun, I had put on a Greek play a few years ago, so I had already purchased a ton of white bed sheets. If you don't have any, run to goodwill and get some. You will use them all the time. I gave each kid a sheet and taught them how to wrap a toga. The kids loved putting on costumes for the play. After they were dressed it was time for the Final Performance. Students were graded on their ability to follow the correct blocking, project their voice, act in character and follow the script. The students had a wonderful time and learned a ton. I am hoping that if I keep this same format up for several weeks they might just learn a thing or to?

SLO breakdown

For my SLO students must know the following information.

-Order of rehearsal process (audition, casting, read through, blocking, finishing rehearsal, final dress, performance). With this assignment the students were able to experience casting, read through, blocking, finishing and a final dress/performance).

- Character analysis: Use history to create character- This one is obvious, we talked about Greek performances and choruses then performed one.

-Character analysis: Internal/ External traits based on text- Each student had to describe their character and use the text to prove it. Being able to use textual support is a huge push on our new Common Core so my ELA teacher had already been covering this in class. The kids were great at reading the lines and proving their character choices "My character is a young girl because in the script she says "Daddy play with me" and that tells me she is still young enough to want to play with her parents"

-Acting/ Rehearsal: Blocking- I had students talk about stage pictures and how you avoid lines. We also talked about how since King Midas was the lead he would often be at the top of our "triangle"

-Theatre History: Students learned a ton about Greek history in this lesson. They were even able to give me the highlights in our exit slips!

-Technical Theatre: Costumes- Students learned how to create a toga, while creating a toga isn't necessarily on the SLO it is always great to remind students about "historically accurate"  costuming. I know these togas aren't actually historically accurate but we were working with the time and money we had. :)

How do you all teach theatre history? Have you found Readers Theatre to be a great way to engage your students in reading and text analysis?

Tuesday, January 27, 2015

Students as Puppeteers, How to Make 80 Rod Puppets in a Week

I teach a lot of students. I mean I have a crazy number of students (over 500). This means that when we want to do any sort of art project I have to be able to do it for an entire grade level. This means that 80 kids need to be able to create puppets in the same week. It's a little overwhelming to say the least. For my upper grades I really try to do a meaningful puppet with them, so we create rod puppets.

I love rod puppets. They are easy to make and look great. I also like to introduce Japanese Bunraku Puppetry with this unit, even though technically Bunraku puppets are much more complex then the rod puppets we make, the students get a kick out of learning about a new culture. I use this video to introduce Japanese theatre. The link on amazon is down but you can probably find it somewhere. After the students study Bunraku we are ready to make our puppets.


Materials per puppet (buying in bulk helps save money)

12 in dowel any diameter
Masking tape
Newsprint or any scrap paper
Tissue paper or construction paper (I like tissue but construction works and is cheaper)
Googly eyes
Popsicle sticks rubber bands
Craft accessories (yarn, scrap fabric, pipe cleaners, feathers, anything you want rid of)
1 square foot of fabric (ask your parents, fabric stores or friends, there is usually someone who will donate this, I haven't bought fabric for years, if you can't get anyone to donate go to good will and buy lots of sheets, you can get plenty of colors for so much cheaper than at a fabric store)

The cost for me to do an entire grade level is relatively cheap

80 dowels -$10
Sheets - $10
Scrap paper - free
Tape - free 
Popsicle sticks 1000 count - $4
Rubber bands - free
Eye 700 count - $6
Yarn assorted -$8
Other accessories - free (scavenge your room and others, people always have stuff they are throwing out.)
Total about $40 (that's about $0.50 a student so not to shabby)

Step one.

Give each student a rod, square of fabric, tape, scrap paper, and tissue paper. 
Crumple the scrap paper into a ball and tape onto top of rod. I like to make a ball with one piece of paper, then cover it with more onto the stick until it is the size I want. Tape paper to stick head. Make sure some paper is actually taped to the stick.

Step two.

Once you have a big head (haha) add tissue paper to give you puppet a face color, tape this down.

Step three.

Cut a small hole in the middle of the fabric. Pull the fabric up over the stick and tape in place underneath. Hold puppet up. You now have the basic puppet done!

Adding arms 

If I have time on the first day we add the arms, if not wait until the end of 2nd day. Add Popsicle stick to end of fabric secure with rubber band.

Final Product.

Allow kids to decorate their puppets. To save supplies I tell the kids they can choose only 4 items. Every one chooses different supplies and their puppets are always end up being as unique as they are.


I always like to have the students perform with their puppets after they make them. This year we learned about flashback and foreshadowing. Students had to write a mini scene that represented one of those vocabulary words and perform it with the puppet. This turned out great! The students always love this project and they learn a ton about theatre!

I hope you liked this project. Let me know if you try it in your class I would love to know how it turns out.

Friday, January 9, 2015

Arts Integration Ideas- Historical Monologues

One of the major pushes in Education right now is Arts Integration. Theatre is one of the easiest Fine Arts subjects to integrate. Throughout this blog I will talk about several ways to use theatre to enhance Common Core Curriculum. Today I want to talk about one of the first arts integration lessons I did. This lesson is my go to lesson when I need to show off my students in an Educational Setting. My students have presented this lesson in front of our Superintendent and all the principals in my county. All to often the "higher ups" in the county view theatre and other Fine Arts subjects as fluff. This assignment helped change the minds of the "higher ups" in my county. Hopefully you can use it to help change people's minds as well.

Historical Monologues


I would partner with your History or ELA teacher in doing this project. Since I only see the kids once a week for 40 minutes partnering is a must if I want the students to write anything. They just don't have time to in my class. 

Step one- have the students bring their history books to class. I then have them search through the book to find a historical person that inspires them. (I typically base this assignment around Black History Month but you could easily focus on any other topic you wanted to- presidents, women, heroes etc).

Step two- once the students have chosen their person, have them research specifics about that person. Depending on your time limits and the age of your students you can either create an outline for them to complete or simply have them write their five favorite facts .

Step three- have the students choose  their person's most exciting life event (Rosa Parks on the bus, Abe Lincoln before Gettysburg, etc) 

Step four- teach the difference between a monologue and soliloquy. Have students choose if they are going to write a monologue or soliloquy. 

Step five- allow students time to write a monologue from their historical person's point of view. Remind students that the soliloquy needs to be written in first person pov and they need to include what the person is thinking or feeling. If they are writing a monologue it still needs to be in first person but they should be talking to another person. Most of your students will probably end up writing soliloquies and that's great!

Step six- Once the monologues are written it is time to begin the rehearsal process. When students are rehearsing I like to set up rehearsal centers so that they can focus on individual aspects of their piece. I have also had students partner up to rehearse or you can simply embrace the chaos and let all the students rehearse together. If you are new to teaching or an English/Social Studies teacher who is not use to allowing rehearsals in the room keep in mind it will get noisy. I like to set up some basic rules (no talking to other groups, no wandering from your general area, etc. )You might want to keep a noise meeter in your room to warn kids if they get to loud. You could also take them to a gym/ outside area where they have more space to spread out. In my experience since the students know that they have to perform the piece they typically use the rehearsal period to their advantage with very little silliness. Make sure you tell the students before they start if their monologue has to be memorized.

Step Seven- Perform monologues for the class.  I would tell the students that they can dress the part if they want to . These performances typically turn out very well and all of the students learn things about the other famous historical figures as well.  When you have your performance day make sure you talk it up. You might even want to invite another class to come and watch the performances.

Step Eight- Grade the performances. Make sure you check out my Theatre Rubrics at the teacherspayteachers store. The rehearsal, script writing, and acting rubrics can be very useful in determining grades.
Arts Integration Social Studies ELA Theatre

Make sure you keep a copy of the student's monologues that you liked. That way you have any easy demonstration piece for an observation or showcase.  Parents and teachers love to see kids participating in cross curricular activities and this is a wonderful chance to show your teachers what the students know.

Alternative Assignments:
Living Wax Museum- This is one of our favorite assignments at my school (and the kindergartners and first graders are the performers for the older students). Follow the exact same instructions for the lesson. When you reach step six have all of the students report to the gym. Give each student a "Button" to place in front of their character (Red Circle cut out of construction paper usually works well). All the students must then freeze in an exciting pose behind their button. When someone steps on their "button" they come to life, say their monologue then go back to freezing. This is a great assignment for other classes to come participate in. This is also great for students who get stage fright because they are only performing in front of one/two people at a time.

Literary Characters- You can use this same assignment but have the students create monologues for the book characters you are reading. Bonus points if they have to use so many sentences from the book.  Great say to engage the students in the reading.